Tiffany. In college. Likes art. Lives for science.

"Let us think the unthinkable, let us do the undoable. Let us prepare to grapple with the ineffable itself, and see if we may not eff it after all." - Douglas Adams, Dirk Gently's Holistic Detective Agency



The Big Book of Font Combinations 

With so many amazing typefaces out there it is easy to lose hours exploring and pairing fonts to get the perfect design. The Big Book of Font Combinations changes all that.

This amazing resource streamlines your research by putting a working historical record of the most incredibly influential typefaces in graphic design history in your hands. This endlessly inspiring and time saving guide has been compiled by expert font lovers to help professional designers, students and hobbyists dig deep and discover great looking combinations of typefaces and fonts for any design projects.

Use the font combination examples from the BBOFC in your next project, or use them as a jumping off place to think about fonts in a new way. However you use it, this essential guide is bound to become your constant companion on your design journey.

You can get the book in the website here or you can get it here with a big discount (50% off):

Steve, I want it. D: 

(via betype)


Ecological Minimalism: Shigeru Ban’s Paper Architecture

Winner of this year’s Pritzker Prize, the most prestigious award in modernist architecture, Japanese architect Shigeru Ban has forged a career based on his revolutionary yet restrained use of humble materials. Ban is perhaps most famous for his innovative work with paper, particularly recycled cardboard tubes. He has noted that he is attracted to paper because it is cheap, recyclable, low-tech, replaceable, and produces very little waste. Indeed, his DIY refugee shelters (used in Japan after the Kobe earthquake, in Turkey, Rwanda and around the world) composed of recycled cardboard tubes are very popular and effective for low-cost disaster relief-housing. Even the structures Ban has designed for prestigious cultural and institutional clients are built with low-cost, sustainable materials and are often meant to be recycled. Ban’s Japanese pavilion building at Expo 2000 in Hannover, Germany, a 72-metre-long gridshell made with paper tubes, for example, was ultimately recycled and returned to paper pulp. His structures do not announce themselves with the typical hallmarks of sustainability; rather, they seem to quietly embody it. This design approach, which dignifies and normalizes ecological mindfulness, appears especially innovative at a time when environmental issues are still “othered.”